Laurence Olivier achieved the highest possible levels in
acting and directing in theatre-and film productions in the period shortly
before and after the WWII during which these productions were subjected not
only to the economic hardships of being staged and produced but also were
rewarded positively to flourish the English language of the Shakespearean era
for the new generations of the pre-and post war period. Since, Laurence
Olivier, Ralph Richardson and John Gielgud made these realisations, attaining
these transmissions and transitions amongst other film and theatre makers, did
they leave no more needs to repeat the past golden age of theatre and film
productions in Great Britain, or is there still a need or a desire
hereof?
To quote Archie Rice in the film: The entertainer, a 1960 film directed by Tony
Richardson: “Look at my eyes, I am dead behind these eyes. …..”
At the time of the WWI, they were between 07-12 years old and during this
period of time the heroes and heroines of the Endless Missions were up to the
last of their crafts to find the Chemist and to end the productions of the
Chemical weapons.


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